TV: Storyboards: 'Gettysburg'
For 'Gettysburg', I produced some (very) quick visuals for CGI sequences, highlighting marches, maps, and weaponry.About the Show
'Executive produced by Ridley and Tony Scott, GETTYSBURG strips away the romanticized veneer of the Civil War to present the pivotal Battle of Gettysburg in a new light--a visceral, terrifying and deeply personal experience, fought by men who put everything on the line in defense of their vision of the American future. Cinematic in scope, GETTYSBURG is an information-packed look at the turning points, strategic decisions, technology and little-known facts surrounding the battle. Developed in collaboration with highly esteemed Civil War historians, GETTYSBURG reflects hundreds of individual accounts of the battle--the unique voices of struggle, defeat and triumph that tell the larger story of a bitterly conflicted nation.'
*'Gettysburg' won 2 Emmy Awards in 2011, including Outstanding Special Visual Effects for a Miniseries, Movie or a Special
Images courtesy RSA/History Channel
A&E Television Networks, LLC. All Rights Reserved
Feature Film Production Design: Mozo
Directed & Written by: J. Dassier
Cinematography: Bill Butler
Production Design: Elizabeth E. Schuch
Art Director: Robert Czesak
Children's feature film, in pre-production/development.
English language, to be shot in Poland, with live animal characters. Spent several months on location in Warsaw developing the design for the film.
Locations, props, concept and costume renderings.
Collage, watercolour, pencil digital artwork.
Cinematography: Bill Butler
Production Design: Elizabeth E. Schuch
Art Director: Robert Czesak
Children's feature film, in pre-production/development.
English language, to be shot in Poland, with live animal characters. Spent several months on location in Warsaw developing the design for the film.
Locations, props, concept and costume renderings.
Collage, watercolour, pencil digital artwork.
Feature Film Storyboards: The Simulation

Feature: 'The Simulation'
Phase VI FIlms
UK
In Development
Director: by Mark Buchanan
Writer: Gregor Barclay
Sci-fi feature set in the science lab of an underground bunker in an alternative reality. Death, armageddon, and obsessive experimentation lead to disaster.
For 'The Simulation', we wanted a bold, blocky style to the graphics, with a nod to comic books, for the development of the film.
UK
In Development
Director: by Mark Buchanan
Writer: Gregor Barclay
Sci-fi feature set in the science lab of an underground bunker in an alternative reality. Death, armageddon, and obsessive experimentation lead to disaster.
For 'The Simulation', we wanted a bold, blocky style to the graphics, with a nod to comic books, for the development of the film.
Feature Film Storyboards: Shaking Dreamland
Eagle PicturesUK
2006
Director: Martina Nagel
When Robert marries the beautiful Alice they are the 'perfect couple'. But the moment he learns his wife is pregnant, dark secrets from the past fly unbidden into the present and threaten to destroy their future.
Working closely with director Martina, we developed the psychological environments that reflect the descent from happy family life to a darker, more dangerous nightmare.
The images were hand-painted with watercolour and ink, acrylic, or pencil/chalk. We also developed initial concept art to define the romantic/impressionistic mood of the film.
Short Film: Suspension

In 2006, my solo animation project for the Glasgow School of Art 'Suspension' premiered at Darklight Film Festival in Ireland.
Blending my traditional hand painting methods with 3D, a painting unravels onscreen.
The curtain rises, clouds pass, a tower flies into the night. Swirling through a nighttime landscape, the film follows a shadowy female form on a windswept quest chasing a star.
Feature Film Storyboards: Starcrossed

Feature: 'Starcrossed'
Yellow Pictures
Portugal
2005
Director: Mark Heller
Based on Shakespeare's Romeo & Juliet, set in modern-day Portugal. Romance set amidst the fictional rivalry between two of Portugal's most prominent football teams (Invicta and Castelo), when mutual disdain has spread further than the pitch.
For 'Starcrossed' - I produced watercolour storyboards to evoke the mood and vivid locations for the film.
Portugal
2005
Director: Mark Heller
Based on Shakespeare's Romeo & Juliet, set in modern-day Portugal. Romance set amidst the fictional rivalry between two of Portugal's most prominent football teams (Invicta and Castelo), when mutual disdain has spread further than the pitch.
For 'Starcrossed' - I produced watercolour storyboards to evoke the mood and vivid locations for the film.
Feature Film Animation Design: Gamerz
Low Budget Feature Film
Directed by: Robbie Fraser
UK, 2005
Geeky and charming Scottish feature film, live action film.
I created traditional hand-painted watercolour backgrounds for animated/shadowplay sequences in a gothic/expressionist style, working with animator Konstantinos Koutsoliotas.
'Gamerz' received great positive critical feedback for the animation sequences and was nominated for the Méliès d´Argent Award for best European Fantasy Film 2006.
Directed by: Robbie Fraser
UK, 2005
Geeky and charming Scottish feature film, live action film.
I created traditional hand-painted watercolour backgrounds for animated/shadowplay sequences in a gothic/expressionist style, working with animator Konstantinos Koutsoliotas.
'Gamerz' received great positive critical feedback for the animation sequences and was nominated for the Méliès d´Argent Award for best European Fantasy Film 2006.
Theatre Set Design: Journey's End
Theatre: Journey's End
Seanachai Theatre
Director: David Cromer
Set Design: Elizabeth E. Schuch
WINNER
Chicago Joseph Jefferson award for Best Set Design, 2003
Trapped in a claustrophobic underground bunker, the whole production team aimed to make the experience feel as real as possible, bringing the audience into the WWI bunker to witness the tension intimately.
Real dirt, twig-woven trench walls and found felled trees dragged into the theatre gave the set realistic texture and earthy smell. I wanted realism, but also psychological weight to the space.
Director: David Cromer
Set Design: Elizabeth E. Schuch
WINNER
Chicago Joseph Jefferson award for Best Set Design, 2003
Trapped in a claustrophobic underground bunker, the whole production team aimed to make the experience feel as real as possible, bringing the audience into the WWI bunker to witness the tension intimately.
Real dirt, twig-woven trench walls and found felled trees dragged into the theatre gave the set realistic texture and earthy smell. I wanted realism, but also psychological weight to the space.
Theatre Set Design: Mother Courage Scenic Rendering
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| Mother Courage Scenic Rendering. Acrylic on Matte board |
The set, comprised of the debris of the never-ending war, has a flexible turntable for the procession of time and events.
Mother Courage
Scenic Rendering
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